For a movie to hit the raw passions picking up on the plot is a high necessity something which is being tossed for a starcast sidelining and subduing the script. Bollywood,s fate has been dwindling for a screenplay that is yet to take off unrewarding and unimpressive though it has of taken a plunge relying on method actors and artists like Rajkumar Rao, Nawazuddin Siddiqui, Pankaj Tripathi who in their right are leaving their marks on seventy mm and OTT platforms but for the limited number of opportunities they usually get.
I understand getting away with this mentality and mindset will ensure building a constituency for Hindi cinema enhancing and enriching it’s audience base counting upon a content provoking their sense of opinion, idea, values and viewpoints on anything which is enraging and intriguing impacting them in either one or another ways or medium.
Improvising on areas for their shortcomings and limitations raising the flag high for bollywood infamously popular for nepotism and favouritism promoting a certain class and category which for all practical reasons are a curious bunch thriving on fame, publicity, plastic smiles and a face decorated with plastered set of expressions and emotions that looks totally deceptive.
Still, this lot has access to trademark projects which for a newcomer becomes literally taxing through attempts to overhaul the toxic environment has been in place in post Sushant Singh Rajput era. Taking a cue from its crucial to take the right move in the direction of reforms that would only make schemes more sound,solid and substantive.
There is a lot of scope for a mainstream cinema to successively deliver from Newton to 3 Idiots we had had great deal of it