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How This Early 90s Doordarshan Serial Makes The Perfect Feminist RomCom Even Today

Screengrab from Kashish

Do you remember this old Doordarshan serial? A lazy browse on YouTube led me to this vintage gem of a TV show which left me with some unanswered questions. Read on.

It’s strange when you have so many choices staring at you. There’s nothing that holds your interest anymore. The paradox of choice has come into play with my current TV viewing behaviour. The more choices you have, the content gets scattered and diluted in its essence.

The paradox of choice has come into play with my current TV viewing behaviour. | Image Credit: Hindustan Times

Growing on a diet of original content-rich old Doordarshan serials in my childhood, it’s no surprise that most of them can still hold my attention from start to finish, even today. My favourite serials from that era are “Mr Yogi,” “Tehkikaat,” “Byomkesh Bakshi,” “Udaan,” “Farman,” “Mungerilal Ke Haseen Sapne,” “Potli Baba Ki Kahani,” “Tandoori Nights,” “Celeste,” “Oshin,” “Dekh Bhai Dekh,” “Mind Your Language,” and more.

Recently, while browsing through YouTube, I found one such lost love. “Kashish” featuring Sudesh Berry and Malvika Tiwari. This serial is so deeply engraved in my memory that I still remember the female protagonist’s name, ‘Mona’ distinctly.

The light pink chikankari cotton saree she wears for her audition is her first encounter with Rahul, the male protagonist, in the elevator. I sat through the eight episodes with no break in-between.

While it was a satisfying watch, the end left me wanting so much more. But I guess the show’s called “Kashish,” and the story’s focal point was the attraction phase only and not beyond. Well, another way of looking at it!

The characters are well-etched. I loved how feisty Mona was, despite her dainty exterior. I had a massive crush on Sudesh Berry back then, and it’s not changed watching him again after many years in this memorable role of Mr Anand.

Priya and Dr Merchant is another adorable parallel love story stitching in the backdrop is Priya & Dr Merchant. Their relationship dynamics are entirely different from Mona and Rahul’s, making it enjoyable to watch. There’s also the statuesque Kalpana Iyer, who steals the show as Rahul’s mother.

Interestingly, there are no antagonists in this love story, typical of love stories in the past. Instead, the only character battling his inner demons is Rahul, and Mona comes as his sweet reality check.

There’s an ego-tussle that adds to the simmering tension between the two. “Kashish” is a clean love story that doesn’t resort to gimmicks of sex, yet the lead pair’s intimate chemistry scorches through stolen glances, unspoken words, and resigned sighs.

Compare Rahul Anand with Kabir Singh, the modern-day romantic hero, and you are rudely awoken to the fallen standards in the romance genre. “Kashish” was a class apart, a timeless romance. Yet, despite his towering ego, occasional bouts of the foot-in-the-mouth syndrome, and paranoia, Rahul has an endearing earnestness, humility, and integrity as he stays faithful to Mona, even in the trying times of romance.

In Priti’s absence, Kabir Singh sleeps with anything prancing around in a skirt yet freaks over Priti’s virginity. Cheeky double standards! Kabir Singh, the character, is a “Horror of Horrors,” who women can date and marry at their own risk.

Compare Rahul Anand with Kabir Singh, the modern-day romantic hero, and you are rudely awoken to the fallen standards in the romance genre.

The female characters in Kashish display clarity and courage to confront their male counterparts directly and take on them. Women like Mona, Priya, and Mrs Anand represent the modern-day Indian woman. Come to think of it. They shot this serial in the early 90s.

There’s one scene in the serial which I liked in particular. When Mona goes to collect her paycheque, Rahul slut-shames her due to his paranoid assumptions of her having a clandestine affair.

She refuses to take her salary and tells Rahul, her boss, to keep it and buy some humanity for himself with it. These are the women protagonists I miss seeing on-screen in mainstream media today. A female protagonist who calls a spade for what it is and can stand up for herself.

Women like Mona, Priya, and Mrs Anand represent the modern-day Indian woman.

Watch ‘Kashish’ for an excellent, cosy, romantic time. In the meanwhile, any leads on the below questions?

When did our filmmakers completely lose the plot and ‘it’?

When did the birds and bees stop humming?

Do you watch old Doordarshan serials online as well? Which ones would you recommend?

Originally published here.

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