Aranyak is a bold and beautiful communicative, creative and classy depiction of cast and character portraying their emotions, expressions and sentiments in the best of their artistic capacity and calibre. Apart from overstretching the script a little, it does offer an occasion and opportunity to everyone alike for performing and presenting selflessly as for their cinematic comfort and composure.
Raveena Tandon and Ashutosh Rana sound exemplary and outstanding, quickly adapting to the scene, situation and settings, assessing and evaluating the response and reaction to it. Aranyak comes closer to Candy featuring Ronit Roy and Richa Chadda with near about the same storyline, but for the reason and not the rhyme actually leading to all the distinction.
However, I also feel that Aranyak could have been better had the makers focussed on the context and not unnecessarily on the climax delaying the proceedings of play. Maybe, they would want us to reserve our judgements for season two which would be out sooner than later exploring and elaborating Raveena’s role a little ensuring she finds her chase in the dense woods surrounded by deep forest cover.
Who knows if for a nar tendua retaliating? The verdict can wait, conclusions can’t.