By Qaju:
One day I saw an intriguing tab open on the computer screen of a close relative and out of sheer curiosity began reading it. That is how I discovered porn. I was 17.
Being a Gujarati-medium student throughout school, my access to the English language had been mostly limited to school text books till then. So unlike some young people, I had not discovered pornography through English language sites online. Also, before that day, my introduction to the world of sex had been in more indirect ways.
I kept reading, one story leading to another, one revelation unfolding another—a whole world of Gujarati porn. I found a comic strip kind of story-series purportedly from the “Kamasutra”. There was this prince who was going to get married. So, a woman who has expertise in erotic skills, especially how to please a woman, is appointed to teach him the art. She ends up falling in unrequited love with the prince. In the same story, a teacher narrates various “Kamasutra stories” including one where three friends, one of them a prince, meet a group of women in the cave. A princess in the women’s group is given the task of checking the potency of these men. The men rise magnificently to the occasion and get to marry a woman they choose from the group. In another story a woman peeps into the bedroom of the king and queen from a hole in the prince’s room, while pleasuring herself.
I read a story situated in the region of Saurashtra-Kathiawad, known for its feudal history and culture, which described the tradition of a king or prince having sex with a virgin on her wedding night. The colours used in this story were bright and gaudy when it comes to dresses because it is a celebration that a virgin is going to be with the person of a royal family. Surprisingly, in this story this act of ‘deflowering’ is seen as an honour and even the newly married groom is happy that his wife is going to be with the prince for their ‘suhaagraat’.
One day, I stumbled upon a ‘3D’ comic series in Gujarati. One was about a boyfriend having sex with his girlfriend’s mother. The other story was situated at a farmhouse of some ‘aunty’ who was ‘fucked’ by two young boys in a threesome.
The strange thing—or what seemed strange then but not now—was that I didn’t really feel turned on as other people do. I did feel something weirdly wet happening to me by reading onomatopoeic words speaking of women moaning as they reached orgasm. But that was it. Otherwise, my observations were kind of clinical. My mind was looking at the stories as any other stories, and observing things about bodies, gender, and caste.
For example, I noticed that the action largely took place in the seclusion of either a palace or a cave. The stories of royal khaandaans glorified the virility and the potency of men, portraying them as hyper masculine muscular figures, skilled in pleasing women. On the other hand, the women were all stereotypically Indian-feminine with big breasts and plump bodies, fair and gaudily dressed. They belonged to a subordinate caste and class, apparent from the dialect used.
Here’s another story. A man goes to a brothel and he wants to fuck the head sex worker and nobody else. But he is unable to get a real erection all night, leading to some teasing from her. His masculinity is hurt. In the morning, he decides to anally fuck this woman–but to punish her, do so without any lubrication. After a lot of pain on both partners and much hardship, he encourages his penis saying, “My Thakor can now show his power.” Thakor is a dominant Kshatriya caste in Gujarat. This made me understand how caste and masculinity are connected in porn.
I was simultaneously reading Vellamma’s stories in Gujarati and “Savita Bhabhi” in English. I noticed that what Vellamma and Savita Bhabhi created were a different ideal for a sexually ‘desirable’ woman than in Western porn. Not Barbie-thin, but more voluptuous, and also, older.
But in 3D comic stories, the women had ‘size zero’ figures and were fancily dressed, living in fancy houses. Sexual interaction took place in drawing rooms or farm-houses. Men, often younger, would be flabbergasted by this wealth and thought bubbles showed them fantasising about a similarly upper-class life.
By now, I had started also reading and watching English porn. But English or Gujarati the feeling was the same: “kuchh hota kyun nahi hai mere body me?” I was not “feeling wet” as everything I had read and everyone who used to read told me I should.
Then I discovered Eve Ensler’s “Vagina Monologues“. It was a revelation for me.
I even found a story about a woman who masturbates with brinjal and a cucumber, while fantasizing about herself with a milkman. But to my surprise–maybe disappointment–I felt nothing but for a kind of shock at how such big objects could get into one’s body!
There was another thing. The way I was not feeling anything while watching porn, I did not feel any kind of attraction and sexual desire for anyone either. I never longed for anyone, nor did I ever feel like touching anyone–I was in fact averse to touch.
Then in my first year of college, I got emotionally attached to a much older woman and my peers called it a ‘crush’. During the four years of this one-sided attachment, only once did I even feel the need to touch or hug this person. Being averse to touch, a hug is a big thing for me, and still I felt like hugging this person! But only for a few minutes. This feeling remained unrequited and then I never felt anything like it again for that person till date. I have not felt romantic attraction for any person till now.
It was during my post-graduation that I spoke to a friend and she told me about the asexuality spectrum. I could relate to experiences of people who identified as being from the grey spectrum. Which is to say that I realised that my sexual attraction is fluid like the proportion of white and black in the colour grey. Feeling sexual for somebody depends upon the extent of my emotional attachment to the person. My inability to fantasise made me realise that having or not having sex with a person does not depend on my ‘mood’ but is just lack of sexual attraction towards people because I am not emotionally attached to them.
But, this absence is something which I would not have got to know if I would not have entered Kaamkathao and read porn and basically realised that I analyse it instead of ‘feeling wet’ by it. If I hadn’t read porn, I also might not have learned much English. And I would have felt lonely if I would not have known English because I don’t have a word to describe my sexuality in Gujarati!
And there was another thing I learned. I followed that slight wet, heavy feeling when I read onomatoepic words and discovered this magical word ‘moaning’. I began searching videos, and what I found appealing was audio porn – the sound of moaning. I had felt the same dampness down there when I had seen Eve Ensler’s performance of a masturbating woman. The climactic sounds, moaning and grunting, shouting, hissing and what not, the very struggle of the human body to reach the climax is something which makes my body reach orgasm through masturbation. The struggle to reach the extreme of sexual satisfaction is relatable and often experienced. My ability to masturbate and climax without anybody else’s help is liberating.
Right now I identify as grey/demisexual and a queer intersectional feminist who is pro-porn and anti-censorship on the whole. But thinking how, for all its revelations, much of porn catering mostly to certain types of straight men, leaves out so much about sex. I aspire to write a porn-erotic story which is feminist, queer-inclusive and has minimal emphasis on bodies; because to an extent, porn, like sex and love, is so much in everyone’s unique head!
So, coming soon!
This Qaju (pen-name) likes cashews, books and has a shade of grey in her!